The MIDWESTERN STATES: USA Map-Drawings

I've just finished the Midwest States Map-Drawings! 
https://www.etsy.com/shop/turnofthecenturies?section_id=14268693

Each drawing features the state tree and a quintessential or common small house type found in-state, layered over the state's borders and topography, and highways.  You choose the location of a small red heart or house - where's special to you? Available in 8x10 Prints and Postcards. https://www.etsy.com/shop/turnofthecenturies?section_id=14268693 

NORTH DAKOTA (Bismarck hearted)
https://www.etsy.com/listing/175427540/north-dakota-state-map-postcard
https://www.etsy.com/listing/175437387/north-dakota-map-8x10-print

SOUTH DAKOTA (Sioux Falls hearted)
https://www.etsy.com/listing/175428788/south-dakota-map-8x10-print

NEBRASKA (Lincoln hearted)
https://www.etsy.com/listing/175332462/nebraska-map-8x10-print

KANSAS (Salina hearted)
https://www.etsy.com/listing/175078626/kansas-map-8x10-print

MISSOURI (St. Louis hearted)
https://www.etsy.com/listing/167590391/missouri-map-8x10-print

IOWA (Des Moines & Iowa City hearted)
https://www.etsy.com/listing/174833122/iowa-map-postcard
https://www.etsy.com/listing/174842599/iowa-map-8x10-print

IOWA (Des Moines hearted)
https://www.etsy.com/listing/175089662/iowa-map-american-gothic-8x10-print

IOWA (Des Moines hearted)
https://www.etsy.com/listing/175089662/iowa-map-american-gothic-8x10-print

MINNESOTA (Minneapolis hearted)
https://www.etsy.com/listing/175237348/minnesota-map-8x10-print

WISCONSIN (Appleton & Madison hearted)
https://www.etsy.com/listing/167529475/wisconsin-map-8x10-print

ILLINOIS (Springfield hearted)
https://www.etsy.com/listing/175879040/illinois-state-map-postcard
https://www.etsy.com/listing/175878948/illinois-map-8x10-print

INDIANA (Indianapolis hearted)
https://www.etsy.com/listing/175890937/indiana-map-8x10-print

OHIO (Cincinnatti & Columbus hearted)
https://www.etsy.com/listing/175988160/ohio-map-8x10-print

I loved drawing the Midwest as I thought of my own origins and my family's German and Swiss farmers. Come to the Heartland! 

Find All of the MIDWEST Print and Postcards HERE.

NYR 2014

I love the clean slate and fresh start and longer perspective of the NEW YEAR - and making goals! This year, I plan to make a lot of new drawings of places I love.

CITIES (and States and Countries) TO DRAW in 2014!

I've thought carefully about the places I've loved and want to get to know better, through drawing. Places I have visited and photographed with an eye to make drawings. Drawings emblematic their unique and ubiquitous qualities and evocative of the senses they conjured in me.  
CITIES (and States and Countries) TO DRAW in 2014 Mapped (above) and Listed (below)

CITIES (and States and Countries) TO DRAW in 2014!

DETROIT is not dead: SAH 2012

click enlarge

I attended the annual conference of the Society for Architectural Historians in DETROIT, Michigan this week. I've been wanting to see Detroit for about 15 years, since seeing some images and becoming aware of the industrial decline and out-migration, all on a massive urban scale. At that time, I was curious about the small towns comprised of weathered and abandoned buildings in rural Virginia that loosely narrated a history of industrial and social change in the nineteenth and twentieth centuries. I followed that pursuit for several years, finally resulting in publication in 2011. Detroit seemed to be the ultimate example of architectural decay and abandonment at a grand urban scale.


At the conference, I learned that these images of Camilo Jose Vergara, Kevin Bauman and Marchand & Meffre which piqued my curiosity and drew me to Detroit were "ruin porn" - and I am guilty. The photos I made of Detroit's downtown depict an architecture of soaring confidence and aspiration - empty and available, juxtapositions between architectural decay and grandeur, proliferation of parking lots and the marks of human expression/exasperation - buildings as canvas.


This was the largest attendance of an SAH conference in its over 60-year history. No big deal, though. Every conference that comes to Detroit lately notes the same phenomenon. People are curious about what's going in Detroit.  I attended all of the paper sessions treating various aspects of Detroit's history and a dynamic session on "Shrinking Cities."  I also attended a roundtable discussion to learn about local city-wide initiatives such as LEAP, spearheaded by community organizer/CEO Maggie DeSantis, focused on improving quality of life in the severely depleted Lower Eastside. Passion and tension were high as Detroit's movers and shakers explained the hopes and challenges of their work and the conference attendees posed questions, generally supportive. One attendee, in shaking voice, asked where all the people were in the plans presented by the panel, including DeSantis, insinuating a lack of humane planning. This woman was exported from Detroit forty years ago because there was no work for an educated woman in Detroit. She found a place in Chicago, but Chicago didn't need her. Don't export any more people, she said. DeSantis blithely responded that she was an educated woman (no doubt) and she stayed. Detroit is a proving ground and can be an incubator for innovative plans for re-imagining this formerly industrial city - but Detroit is not a clean slate where one can do anything. Detroit has a deep history, real dedicated residents with real needs; new-comers thinking outside the box are welcome but they are reminded to be humane and context-sensitive.


Preservation as a tool for healing and re-imagining Detroit threaded through almost every discussion and brought me to some critical questions about the ways preservation might do more than conserve building resources, who was responsible or capable of preserving Detroit's buildings and landscapes, the many scales at which preservation can be deployed and which are most critical, the role of preservation and its dismissal in the city's history. I wondered why, until the past decade perhaps, preservation had little relevance here. It seemed more than other cities, buildings were demolished, easily devalued and thrown away. One conference presenter explained the mentality of Fordism which was constantly striving toward the next innovation and discarding the last, the outmoded translated to the city population's regard fro building as [disposable] resources. Demolishing itself was a sign of progress - either to make way for the next big thing or, in post-war decline, to remove an outmoded scar in the cityscape. An "architecture of optimism." Another presenter, a Detroit activist, educated us on the thick memory of racial division and oppression in Detroit. He explained that these magnificent edifices we might mourn over as they crumble were not mourned by Detroit's black citizens because these were symbols of their dismissal, where they were denied entry or full civic participation.