I've come to ROME to Draw

DIAGRAM:
top: drawing from distance, apart from
bottom: drawing from within

I've come to Rome for a month, many thanks to the Pelliccia Fellowship from the Architecture School at the University of Virginia. My task is to make drawings, to understand the lineage of the bird's eye view from its Italian beginnings and development since the early Renaissance, and to begin to discover for myself the role of drawing in visualizing history and the contribution of the designer-historian. I will be drawing at two scales or vantages - from a distance, the closest I can find to the bird's eye - and from within a "room", either in a building or an outdoor space enclosed by various "walls." The former is seeking objectivity while the latter seeks the experiential.

Houses Against the Grain: The Tour, Charlottesville

What are YOU doing this weekend? It's PRESERVATION WEEK. If you are in Charlottesville VA, consider touring some interesting houses we've researched in the Community History Workshop at the University of Virginia School of Architecture, with Professors Daniel Bluestone & W.G. Clark. The Tour and exhibit at the Albemarle Charlottesville Historical Society were designed by Madeleine Hawks, Camille Behnke, Jessica Lankston, Joanna McKnight, Kim Larson, and Kirsten Sparenborg with research material from other Community History students and community members. 
It's also a featured Jane's Walk!  In the spirit of Jane Jacobs, get out and explore your neighborhood.
http://janeswalk.net/walks/view/houses_against_the_grain/

TOUR MAP

DETROIT is not dead: SAH 2012

click enlarge

I attended the annual conference of the Society for Architectural Historians in DETROIT, Michigan this week. I've been wanting to see Detroit for about 15 years, since seeing some images and becoming aware of the industrial decline and out-migration, all on a massive urban scale. At that time, I was curious about the small towns comprised of weathered and abandoned buildings in rural Virginia that loosely narrated a history of industrial and social change in the nineteenth and twentieth centuries. I followed that pursuit for several years, finally resulting in publication in 2011. Detroit seemed to be the ultimate example of architectural decay and abandonment at a grand urban scale.


At the conference, I learned that these images of Camilo Jose Vergara, Kevin Bauman and Marchand & Meffre which piqued my curiosity and drew me to Detroit were "ruin porn" - and I am guilty. The photos I made of Detroit's downtown depict an architecture of soaring confidence and aspiration - empty and available, juxtapositions between architectural decay and grandeur, proliferation of parking lots and the marks of human expression/exasperation - buildings as canvas.


This was the largest attendance of an SAH conference in its over 60-year history. No big deal, though. Every conference that comes to Detroit lately notes the same phenomenon. People are curious about what's going in Detroit.  I attended all of the paper sessions treating various aspects of Detroit's history and a dynamic session on "Shrinking Cities."  I also attended a roundtable discussion to learn about local city-wide initiatives such as LEAP, spearheaded by community organizer/CEO Maggie DeSantis, focused on improving quality of life in the severely depleted Lower Eastside. Passion and tension were high as Detroit's movers and shakers explained the hopes and challenges of their work and the conference attendees posed questions, generally supportive. One attendee, in shaking voice, asked where all the people were in the plans presented by the panel, including DeSantis, insinuating a lack of humane planning. This woman was exported from Detroit forty years ago because there was no work for an educated woman in Detroit. She found a place in Chicago, but Chicago didn't need her. Don't export any more people, she said. DeSantis blithely responded that she was an educated woman (no doubt) and she stayed. Detroit is a proving ground and can be an incubator for innovative plans for re-imagining this formerly industrial city - but Detroit is not a clean slate where one can do anything. Detroit has a deep history, real dedicated residents with real needs; new-comers thinking outside the box are welcome but they are reminded to be humane and context-sensitive.


Preservation as a tool for healing and re-imagining Detroit threaded through almost every discussion and brought me to some critical questions about the ways preservation might do more than conserve building resources, who was responsible or capable of preserving Detroit's buildings and landscapes, the many scales at which preservation can be deployed and which are most critical, the role of preservation and its dismissal in the city's history. I wondered why, until the past decade perhaps, preservation had little relevance here. It seemed more than other cities, buildings were demolished, easily devalued and thrown away. One conference presenter explained the mentality of Fordism which was constantly striving toward the next innovation and discarding the last, the outmoded translated to the city population's regard fro building as [disposable] resources. Demolishing itself was a sign of progress - either to make way for the next big thing or, in post-war decline, to remove an outmoded scar in the cityscape. An "architecture of optimism." Another presenter, a Detroit activist, educated us on the thick memory of racial division and oppression in Detroit. He explained that these magnificent edifices we might mourn over as they crumble were not mourned by Detroit's black citizens because these were symbols of their dismissal, where they were denied entry or full civic participation.

On-Site Sketching: The University: Pavilion IV III II I

Sketches made on the Lawn at the University of Virginia, Fall Semester 2011. My goal is to draw the Pavilions of the Academical Village in front elevation, focusing on Proportion.


The weather is nice again and sketching on the Lawn has resumed Thursdays at 3:30. Drawing Pavilions V, VI, VII.  If you want to draw, you are welcome!

PHILADELPHIA: 900 BLOCK Clinton Street

A second block in Philadelphia! A mansion on one corner, an apartment building on the other. In between, brick rowhomes of all shapes and sizes. with Flags.

Viva Philadelphia!

Get your print HERE in my shop.

PHILLY Rowhouses: For the Groom

Clinton Street Rowhouses

A gift from the bride to her new husband on the occasion of their wedding. Sarah asked me to draw these Philadelphia rowhouses which her sweetheart owns on Clinton Street, adding flowers in window boxes and framed by two elegant street trees. The couple's names and wedding date are inscribed above the set of identical, mirrored doors to left.

Valentine Map

Another clever, sweet and creative idea from a husband to his wife. He said to me: "I met my wife in Savannah, at Forsyth Park, while in grad school at SCAD. I want give her this map for Valentines day (it is our 10 year anniversary) and I was wondering if you could add in a little red heart near the fountain in the park. Nothing too big, a subtle touch of red."

LOVE it.