
The National Building Museum is my Favorite Museum in Washington DC. Every time I go, I recall the first time I went, first semester in architecture school, with Kathy and other classmates, for a lecture by rockstar architect Rem Koolhaus. The city was a shock to our senses, even though we'd been living in small town Blacksburg but two months. Emerging from the metro at Judiciary Square and seeing the red-orange brick edifice rising from the view cone made by the escalator shaft was dramatic, as was the entry into the grand hall where Inaugural Balls were held for more than a century, volumes of open space framed by massive columns, lit by clerestory above the gallery of marble busts, barely identifiable as human heads from all the way down here. I feel tiny inside this space.Today we saw some excellent exhibits that allowed us to touch the terra cotta architectural ornament made for cornices and the like, normally touched only by birds. I was captivated by the drawing techniques of earlier centuries in the New England House Design exhibit, Drawing Toward Home. Exhibits notwithstanding, the Building is a Museum in itself, in its stone relief friezes telling the stories of American battles and settlement and its interior spaces showing off the height of classicism.





Drawings of New Orleans vernacular architecture have been "in the works" since almost a year ago. I've finally had time to make something of these disparate building elevations, from Shotguns and Creole Cottages to Villas and Shops. They are strung together in an imagined streetscape with tiny cast iron gates in front and spanish moss-covered live oaks receding behind the buildings. Since this is the city of Mardi Gras, festive beads line the edges. Check them HERE. 



This is my grandmother's recipe for gingerbread, well used, the paper infused with oil & flour. 

A second set, the Embroidered Aprons RECIPE CARDS seemed a natural evolution as 4" x 6" cards featuring the illustrations of the Embroidered Aprons note cards. Five different drawings inspired by vintage apron and embroidery patterns grace the fronts with gingham and rick-rack, with a lightly lined writing field surrounded by a frame of matching rick-rack on the back. 


I had a birthday. Since I have too many favorite cakes - and the advent of my birthday occurred while staying with my parents and having a great cake-baker (my mom) directing the experiment, we decided to make a layer cake combining three of my favorites. Luckily, they all had similar ingredients and were perfectly tied together by the cream cheese frosting. The high fruit content led my mother to name it, brilliantly, the "Carmen Miranda Cake." It's also a great source of fiber! When it came time to set the dome over the cake on its platter, we discovered the cake was too tall and had to improvise like MacGyver...duct tape and boxes of Jell-O kept the dome from marring the frosting top.

I was racing to finish the Jones Street drawings before I left Savannah for a "sabbatical" in Washington DC. The past few weeks were a flurry of tying loose ends at the office, going through years of accumulated treasures in my studio, discarding, saving, packing, cleaning, moving, spending time with friends, visiting my favorite places one more time (Tybee Island, Terra Cotta, The Paris Market, shopSCAD, Back in the Day Bakery, Forsyth Park) and saying good-bye - for now. 
Looking Ahead...
That's Craig and Anthony fighting over my desk (LOVE the pose) - and a misty photo of me working there on some cold day in history.
When I said good-bye to my best friend Catherine and set off on my drive north this morning, I was excited by the possibilities and experiences that lay ahead and so very grateful for amazing friends and experiences in Savannah. It will always be a place that feels like home to me and I'll be no stranger to her.
For the next few months, I am looking forward to making new work, including This is Savannah, Vol. 2 Jones Street and eventually pursuing a graduate degree in Architectural History and working in Preservation or Education. And some Savannah reminiscing every now and then...

I acquired the apartment while on a trip to London and Ireland. I was thinking about it while on my trans-Atlantic flight and sketched my dreams for the space in a dark airplane.
Inside, I made my habitat. A look back in time...




I never really "decorated." It was a place to work, sleep and eat. I did collect some antique furniture and I hung things that inspired me like the 1891 birds eye view print of Savannah, postcards from friends, and the artwork of my favorite kids, Ella and Joey. When I first came to Savannah, all I owned was in the back of my small pickup truck. Now I have half-filled a 16' moving truck. Perhaps I should have left my Savannah things in Savannah, but each piece has a unique story of how it was acquired and I've grown fond of them.
EASTPORT MAINE: Bird's Eye View
Temples
ATLANTA
MESA
Watercolor City Maps
SAVANNAH
VENICE
BALTIMORE
LONDON
WASHINGTON DC
PARIS
CHARLESTON SC
PORTLAND
NEW YORK
Neighborhood Maps
SAVANNAH
PORTLAND
BALTIMORE
NEW ORLEANS
Streetscape Drawings
GEORGETOWN, Washington DC
PARK CITY UT
SALT LAKE CITY: The Avenues
Vivian Park?
BROOKLYN
CHARLOTTESVILLE VA: Downtown "Mall"
DETROIT
BALTIMORE MD: Gay Street, Fells Point, Abell Ave.
City Landmark Map-Drawings
PITTSBURGH: PPG Place?
Architectural Imagination
HOUSES IN THE PINE
PUZZLING DOMESTICITY