Friday, September 16, 2011
Eyes on the Street PHILADELPHIA
Breakfast Club (& Sketching) on The Lawn
My first entree to a Lawn Room. |
The Breakfast Club: boys, bagels, beer. |
And now we get to work, drawing Pavilion III, using our simple tools for gauging proportion. |
The Lawn must be mowed. And we find ourselves adjusting our seats to avoid being mowed. |
Friday, September 9, 2011
On-Site Sketching: The University: Pavilion II
Another overcast day, mostly, to complete the drawing of Pavilion II began last week. One of the delights in sketching at this particular World Heritage Site is the peripheral community that comes and goes throughout the morning - students, families, tourists, tourists from different countries, student tour guides practicing their tourspeak (as pictured above.)
The sun breaks through the clouds triumphally...and it gets a lot hotter and harder to see...but I finish the drawing.
Friday, September 2, 2011
On-Site Sketching: The University: Pavilion II
Lucky to have an overcast day while drawing Pavilion II as the sun is just above its pediment, on the other side of the clouds.
We are focusing on drawing correct proportion from sight, occasionally using our pencils as perspectival measuring sticks and squinting like architectural sketchers do. It will be interesting to see, when completed in the same drawing language, the differences and similarities between the ten unique pavilions.
This morning, while walking up through the range gardens, I approached the lawn through a passage between student rooms and found myself at odds with the column - only one in the long colonnade that frames the lawn, connects the pavilions, and provides covered passage along rooms - that sat in the middle of my view toward the lawn. Instead of framing this entrance opening between two columns, one column bisects it. I caught a hint that this is one of Jefferson's moves at breaking the rules of classicism in its own language.
We are focusing on drawing correct proportion from sight, occasionally using our pencils as perspectival measuring sticks and squinting like architectural sketchers do. It will be interesting to see, when completed in the same drawing language, the differences and similarities between the ten unique pavilions.
This morning, while walking up through the range gardens, I approached the lawn through a passage between student rooms and found myself at odds with the column - only one in the long colonnade that frames the lawn, connects the pavilions, and provides covered passage along rooms - that sat in the middle of my view toward the lawn. Instead of framing this entrance opening between two columns, one column bisects it. I caught a hint that this is one of Jefferson's moves at breaking the rules of classicism in its own language.
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